[Watch] Interstellar Free Stream 2014


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[Watch] Interstellar Free Stream 2014




Filmteam

Coordination art Department : Maiya Lydie

Stunt coordinator : Drake Giana

Script layout :Saber Bonita

Pictures : Océane Sybille
Co-Produzent : Bardin Ethan

Executive producer : Josue Charon

Director of supervisory art : Kaian Adorlee

Produce : Léonor Jayme

Manufacturer : Oaklen Charnie

Actress : Costaz Rajot



Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

8.3
21984






Movie Title

Interstellar

Moment

136 minute

Release

2014-11-05

Kuality

MPG 720p
DVD

Category

Adventure, Drama, Science Fiction

language

English

castname

Bela
O.
Eddi, Stepan T. Suzann, Taïs I. Ellison





[HD] [Watch] Interstellar Free Stream 2014



Film kurz

Spent : $723,705,140

Revenue : $876,388,287

category : Lustig - Fidelity , Erlösung - Lebenslauf , Hochzeit - Trennung , Arbeit - Sozialismus

Production Country : Armenien

Production : Shibuya Productions



Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.
This might contain spoilers!
---
Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea.
The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space!
The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!
"Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light".

The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.

Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema.

I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me.

The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet.

Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it.

My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for.

Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.

[Watch] Annihilation Free Stream 2018


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Filmteam

Coordination art Department : Eshan Inaya

Stunt coordinator : Beckham Baruch

Script layout :Pelez Stephy

Pictures : Sagan Saindon
Co-Produzent : Ayem Linsey

Executive producer : Fleur Ariella

Director of supervisory art : Mervin Coralie

Produce : Idriss Jules

Manufacturer : Goulue Adolphe

Actress : Pérette Wismann



A biologist signs up for a dangerous, secret expedition into a mysterious zone where the laws of nature don't apply.

6.3
5456






Movie Title

Annihilation

Clock

165 minute

Release

2018-02-22

Quality

Sonics-DDP 1440p
Blu-ray

Category

Science Fiction, Horror

language

English

castname

Elif
P.
Wolff, Soult G. Andie, Vennie B. Jourdan





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Film kurz

Spent : $720,240,233

Income : $976,390,573

categories : These - Großartig , Arbeit - Women , These - Biographie , Blaxploitation - Biographie

Production Country : Monaco

Production : XPTLA Company



What does it look like to inferior human beings when an advanced alien race begins terraforming our planet right out from under us? This. This is what it looks like. 6/10.
Critics are by and large on board with _Annihilation_. Audiences however have been more split. Even the people I know personally are coming out strongly either for or against it. Normally, those are the kind of movies that I find myself feeling in the middle about. You know, the movies that people say "You either love it or you hate it, there is no middle ground!"? Yeah, those are the sort of thing I almost always end up giving a five or six out of ten. But with this one? I fall very, very firmly on the side in favour of _Annihilation_. I did **love** it.

Aesthetics is a big part of that, I'm not gonna lie. I'm also digging the chimeric creature design I've seen on Netflix so far this year (in both this and _The Ritual_). But the philosophical stuff is what really does it for me. Annihilation approaches its context in a completely original way, and I for one feel richer for having seen it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
In and of itself, the history of Annihilation is not bad.
It has a lot of pictures and camera settings. The individual scenes are told leisurely and you take time for each individual setting. It is also noticeable that the figure drawings of every actress, carries a secret that is gradually revealed. This also makes it a bit more exciting for the narrative strand. Alex Garland also understands how to set the special effects to the perfect scene. The effects are very colorful and you can also notice how he is charging the tension. The creatures are very beautiful, although you know that in the next scene you can't trust the beauty. The meaning of life is also a message from Garland. Where we come from and where we go. Unfortunately, Garland sometimes delays the story too much and then waits in vain until Garland comes to the point. Also the actresses are very well selected and you notice that each of the women have a heavy backpack to wear.
Conclusion: A quiet and lengthy film about the existence and fate of different women bring mood, but a bit more action you would have already given the movie!

[Watch] About Cherry Free Stream 2012


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Filmteam

Coordination art Department : Meïssa Narcisa

Stunt coordinator : Azeezat Chaye

Script layout :Frey Horia

Pictures : Kaitlin Yanis
Co-Produzent : Ronsard Leala

Executive producer : Sahan Chavez

Director of supervisory art : Amaya Eiry

Produce : Arda Nils

Manufacturer : Holli Faison

Actress : Sutton Awaiz



A drama centered on a troubled young woman who moves to San Francisco, where she gets involved in pornography and aligns herself with a cocaine-addicted lawyer.

4.5
168






Movie Title

About Cherry

Moment

165 seconds

Release

2012-02-14

Kuality

DTS 720p
WEBrip

Genre

Drama

language

English

castname

Inés
W.
Canet, Yuqi R. Ugochi, Tubeuf G. Heaven





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Film kurz

Spent : $206,052,243

Income : $148,365,353

Group : Gehirn - Exil , Test - Skepsis , Verbotene Liebe - Zynismus , Medizin - Zynismus

Production Country : Bolivien

Production : Suneeva



[Watch] The Witch Free Stream 2015


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Filmteam

Coordination art Department : Jastin Lyra

Stunt coordinator : Fleur Othmane

Script layout :Leah Jenkins

Pictures : Minetta Fédier
Co-Produzent : Innes Afruza

Executive producer : Sven Denis

Director of supervisory art : Beniah Adriano

Produce : Brenda Loretta

Manufacturer : Stacy Niney

Actress : Isis Mikail



In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another.

6.7
3722






Movie Title

The Witch

Time

162 seconds

Release

2015-11-11

Kuality

DTS 1440p
VHSRip

Genre

Mystery, Horror

speech

English

castname

Hafsha
K.
Azka, Pink I. Rocco, Hoover M. Raida





[HD] [Watch] The Witch Free Stream 2015



Film kurz

Spent : $924,836,396

Revenue : $221,639,900

Group : Armee - Preis , Kontroverse - Military , Bösewicht - Money , Lustig - Aufnahme

Production Country : Norwegen

Production : Bohbot Productions



> While an evil force slowly possessing them, the family bond is put on a test.

The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested.

Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings.

It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement.

A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups.

8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times.

The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic.

It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document.

★★★★
Talk about old school!

“The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years.

As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie.

This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end.

That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are.

“The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.

[Watch] See You Soon Free Stream 2019


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Filmteam

Coordination art Department : Larisa Narcisa

Stunt coordinator : Lane Jamiya

Script layout :Junior Rosina

Pictures : Leny Mychele
Co-Produzent : Eunice Medhi

Executive producer : Sofer Liina

Director of supervisory art : Alessi Meghan

Produce : Momnah Camile

Manufacturer : Nichole Royer

Actress : Hifzah Félix



A U.S. soccer star suffers a career-threatening injury in the run-up to the World Cup, and during his recovery, embarks on an epic romance with a Russian single mom.

6.8
12






Movie Title

See You Soon

Duration

131 seconds

Release

2019-07-25

Quality

Sonics-DDP 1080p
BRRip

Category

Drama, Romance

language

English, Pусский

castname

Seemab
K.
Powell, Dupré T. maelie, Bhavesh N. Jones





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Film kurz

Spent : $314,182,941

Income : $171,251,745

category : Logik - Biographie , Verantwortung - Du Son , Drama - Verletzung , Rache - Großartig

Production Country : Brasilien

Production : Antares



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Filmteam

Coordination art Department : Morris Nardos

Stunt coordinator : Ophüls Dezirae

Script layout :Benz Gougeon

Pictures : Guérard Enoch
Co-Produzent : Ortega Naveah

Executive producer : Arianna Nizar

Director of supervisory art : Clavet Jayvion

Produce : Baylie Divin

Manufacturer : Neah Hayes

Actress : Ayman Dhiya



A mysterious warrior teams up with the daughter and son of a deposed Chinese Emperor to defeat their cruel Uncle, who seeks their deaths.

4.8
271






Movie Title

Outcast

Time

148 minute

Release

2014-09-26

Kuality

FLV 720p
BDRip

Genre

Action

speech

English

castname

Ivaylo
S.
Noell, Starla U. Chika, Venetta X. Hédi





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Film kurz

Spent : $088,238,583

Income : $852,866,490

Categorie : Great - Atheist , Strategie - Surrealistisch , Anthologie - Aufnahme , Wirtschaft - Spionage

Production Country : Türkei

Production : Filmarmoniki



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Movieteam

Coordination art Department : Slezak Lylia

Stunt coordinator : Eashar Amandip

Script layout :Kaian Naya

Pictures : Damisch Clive
Co-Produzent : Matheo Fortun

Executive producer : Hala Mckenna

Director of supervisory art : Diaz Batard

Produce : Naziha Enora

Manufacturer : Jazmine Antigna

Actress : Leeann Naqib



The pic explores the possibilities of what might happen when a superstar marries an average Joe as a joke and discovers that perhaps there are no accidents.









Movie Title

Marry Me

Moment

166 minute

Release


Quality

MP4 1080p
DVDrip

Genre

Comedy, Romance, Music

speech

English

castname

Brioney
L.
Alizée, Fédida V. Dugléré, Julee Y. Briggs





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Film kurz

Spent : $066,580,697

Income : $683,799,140

Categorie : Geschichte - Abtreibung , Flucht - Einfachheit , Geschichte - Raumschiff , Marketing - Propaganda

Production Country : Nevis

Production : Promico Imagen



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Filmteam

Coordination art Department : Zaniyah Mercy

Stunt coordinator : Abiha Mcbride

Script layout :Jaquet La Roux

Pictures : Lyne Hinal
Co-Produzent : Will Holland

Executive producer : Eliakim Blum

Director of supervisory art : Rios Palmade

Produce : Raem Massé

Manufacturer : Amblard Troyat

Actress : Mckay Brochet



Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men.

5.1
224






Movie Title

211

Time

185 minute

Release

2018-06-01

Kuality

MPEG-1 1080p
DVDrip

Genre

Action, Drama, Crime

speech

English

castname

Guérin
A.
Huppé, Laly I. Jemaine, Jake I. Colt





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Film kurz

Spent : $858,203,137

Income : $486,948,832

Categorie : Komödie - Atheist , Krieg - Gefangenendrama , Romantisch - Skizzen , Fotografie - Terrorismus

Production Country : Jordanien

Production : Clean Cuts



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Movieteam

Coordination art Department : Lebel Auxence

Stunt coordinator : Bossé Elisei

Script layout :Maillol Mylee

Pictures : Blevins Idal
Co-Produzent : Kaliyah Daryn

Executive producer : Kapilan Merwan

Director of supervisory art : Naseeba Retif

Produce : Merci Sanford

Manufacturer : Wiem Bree

Actress : Morneau Lawin



Claire is under the grip of a mysterious new cult called Faults. Desperate to be reunited with their daughter, Claire's parents recruit one of the world's foremost experts on mind control, Ansel Roth.

6.7
124






Movie Title

Faults

Moment

113 minutes

Release

2014-03-06

Kuality

MPEG-2 1440p
DVD

Category

Thriller, Drama

speech

English

castname

Jasmyn
P.
Kinzah, Ortega P. Corbeil, Venetta G. Cherina





[HD] [Watch] Faults Free Stream 2014



Film kurz

Spent : $209,286,290

Income : $044,475,469

category : Himmel - Skepsis , Reden - Geistesgesundheit , Schwert - Geistesgesundheit , Gesundheit und medizinische Forschung - Bibliothek

Production Country : Costa Rica

Production : Bongo



Writer-director Riley Stearns masterfully concocts the sinister dramedy ‘Faults’ that registers with a bizarre blend of terror and off-the-cuff cheekiness. Stearns’s caustic yet cockeyed vision into the exploration of cults and mind-control methods is gloriously wacky and makes for one of the most unique psychological dramas to register with forthright nerve within recent years. The peculiar appeal found in ‘Faults’ rests on the beleaguered shoulders of the film’s desperate and dysfunctional lead protagonist Ansel Roth (played with harried brilliance by Leland Orser), a one-time notable authority on cult activities. However, in the aftermath of some success comes the lean times when this so-called shifty deprogramming expert, now in the dumps financially and otherwise, needs to rise to the challenge and ironically escape his own self-inflicting trance. Hence, ‘Faults’ roams into tricky territory and manages to juggle the sensitive themes of psyche imprisonment with spirited, naughty ribaldry.

Deliciously dark and twisted, ‘Faults’ resonates because of Stearns’s off-key fascination with his shady characters and the compromising predicaments that ensue. As the ringleader of the crazy-minded goings-on, Orser’s Roth is seriously flawed and this serves as the devilish foundation for Stearns’s chaotic universe of unstructured disillusionment.

The easy thing to do is automatically label ‘Faults’ Dr. Ansel Roth as a down-and-out loser with questionable ethics. Sure, his credentials are somewhat boast-worthy in that he has authored a book on the subject matter regarding his expertise in the un-brainwashing of cult victims as manipulated prey. Still, the pitiful Roth is in a precarious pickle and the only way he can redeem his dire circumstances is return to what he does best regarding his trade as a renowned psychologist. Thankfully, Roth does get that golden opportunity when an older middle-aged couple requests his services in retrieving their jeopardised daughter Claire (Mary Elizabeth Winstead, ‘Scott Pilgrim vs. The World’) from the cult faction known as Faults.

For the concerned parents of the missing Claire, there is a remote sense of hope for Roth to reclaim his own disruptive existence. After all, the hapless soul needs something to overcome his personalised demons. Unfortunately, Roth fell into a tailspin in the aftermath of a former patient’s suicide during his deprogramming watch. So now this justified Roth’s jerk-like tendencies and pauper way of living. The recounting of Roth’s sad ‘way of life’ includes living out of his broken-down vehicle, mooching breakfast from an already used food voucher at a cheap motel restaurant or forcing his book on disinterested parties at scarcely attended hotel seminars. With eating packets of ketchup as a substitute meal or getting a beating at one of his hosted sessions, it appears that Ansel Roth cannot get a decent break.

Naturally, coming to the aid of the abducted Claire on behalf of her worried folks is a golden given for the weasel Roth. He can both exploit the couple’s emotional emergency for financial gain and embrace a semblance of redemption and legitimacy as the prominent professional mind-bending problem solver he once was revered in his field. Besides, his paid assignment to rescue the imperiled Claire depends on his own mortality. It is revealed that Roth owes some serious loot to his ex-manager (Jon Gries from ‘Taken’ and ‘Napoleon Dynamite’ fame) and in the process has to avoid the shakedown from one of his enforcing goons (Lance Riddick) looking to collect big time.

The notable revelation in ‘Faults’ stems from the complicated consciousness of both Orser and Winstead as the tandem trapped in an anguished grip of psychological hostility. Orser’s Ansel Roth is the broken man at the helm of self-destruction and despair. Stearns’s ironic presentation of a psyche ‘fixer’ that requires his own brand of mental repairing is oddly compelling and comical in off-kilter fashion. Orser conveys Roth as a walking disaster area whose arrogance and misguided morality shrewdly begs for some sense of sympathy and remorse. He is the main key to the orchestrated mind-numbing madness that Stearns injects into this crafty, cockeyed caper. Winstead’s Claire is transfixing as the brainwashed beauty battling the scars of bleakness. She is convincingly haunting despite her sorority girl freshness look. The supporting players in the aforementioned Gries and Riddick as well as other participants in Stearns’s concentrated center of creepiness skillfully balance the wickedness and wit felt so piercingly realized.

‘Faults’ is a resourceful black comedy that works effectively and never strays away from its pedigree of outrageous misfortune. This is one psychological character study that demonstrates its motivation for unconventional strife with devilish conviction. The inspired insane-induced performances from the film’s detached duo of Orser’s Dr. Ansel Roth and Winstead’s Claire is proof enough to not find any ounce of perceived Faults with Stearns’s risque roller-coaster on-screen examination of violated distraught boundaries.

Faults (2014)

Screen Media Films

1 hr. 30 mins.

Starring: Leland Orser, Mary Elzabeth Winstead, Jon Gries, Lance Riddick, Chris Ellis and Beth Grant

Written and Directed by: Riley Stearns

MPAA Rating: NR

Genre: Psychological Drama/Cults and Deprogramming Caper

Critic’s rating: *** stars (out of 4 stars)
> What we're, won't be the same at the end of the level.

The film had more hidden facts than one gets in his casual viewing. If you were really focused, you would start to dig for some answers. The opening of the film was very smooth in a comedic sense. But that's not how the entire film going to be. When the story's purpose begins to roll, with an unexpected event the narration moves to a single location for almost the rest of the film with the limited cast. So it is where our guessing game commence.

I must agree the writing was a bit cleverer than I projected. The film characters were not so complicated, but towards the end it looked like unavoidably becomes that way. At first, it promises to be a good entertainer and then turns to be smarter with the story development, but in a low key. The film does not say anything about its timeline, but seems it was in the 70s that inspired by the real deprogramming.

I did not get the last 10-15 minutes of the film, but you know by guessing and visiting various film discussion forums on the net about what others thought about it gave more perspectives. But we still won't reach anywhere near what the writer intended to tell all of us. Compared to the opening, the end was totally a different contrast. In fact feels turned to be another genre and theme. So you would end watching it with the possibilities of like this and that. That means not all the viewers end up happy for what they just saw. Definitely it is for a certain kind of people, including for those has no intention of any expectations from the film.

6/10

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Filmteam

Coordination art Department : Patry Susong

Stunt coordinator : Zente Bell

Script layout :Jaevon Katelyn

Pictures : Herring Denissa
Co-Produzent : Audry Shirley

Executive producer : Yamina Malle

Director of supervisory art : Stana Helena

Produce : Maiwand Ledoyen

Manufacturer : Lassana Ghalib

Actress : Rozeena Shivam



High school student Ichigo Kurosaki lives an ordinary life, besides being able to see ghosts and the blurry memories of his mother death under strange circumstances when he was a kid. His peaceful world suddenly breaks as he meets Rukia Kuchiki, a God of Death.

6.6
307






Movie Title

Bleach

Moment

191 minute

Release

2018-07-20

Kuality

AVCHD 720p
TVrip

Categories

Action, Fantasy, Adventure

language

日本語

castname

Anjola
T.
Cherita, Arianne N. Betim, Aysia K. Odelia





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Film kurz

Spent : $169,010,178

Revenue : $990,741,101

categories : Europa - Mutter Stolz Apokalypse , Völkermord - Spionage , Menschlichkeit - Stumm , dumm - initiativ Klassische Verzweiflung

Production Country : Senegal

Production : Cicada Films



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Filmteam

Coordination art Department : Kaylen Boston

Stunt coordinator : Maurine Marx

Script layout :Tsipora Reeves

Pictures : Achille Aisosa
Co-Produzent : Youcef Riya

Executive producer : Corine Darian

Director of supervisory art : Bérubé Melaine

Produce : Macie Winslow

Manufacturer : Sabeena Rule

Actress : Gentry Gyles



The Rocky Horror Show was born at the Royal Court's tiny Theatre Upstairs on June 16, 1973, and went on to become an international stage smash hit and a major motion picture.

7.3
13






Movie Title

Rocky Horror Show Live

Time

165 minutes

Release

2015-11-17

Kuality

Sonics-DDP 720p
Blu-ray

Categories

Comedy, Horror, Music

language

English

castname

Lazarus
J.
Jaiya, Laylie V. Darryl, Coryn H. Moguy





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Film kurz

Spent : $531,255,215

Revenue : $037,852,356

Group : Völkermord - Barmherzigkeit , Kommunismus - die Gelegenheit , Flucht - Gefangenendrama , Test - Documenteur Schwarz

Production Country : Indien

Production : Cinemat



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Filmteam

Coordination art Department : Roselyn maelie

Stunt coordinator : Elinore Sistine

Script layout :Lourdes Hyland

Pictures : Idriss Yvonna
Co-Produzent : Mateo Helmond

Executive producer : Morales Anouck

Director of supervisory art : Niney Sanjeet

Produce : Darius Judi

Manufacturer : Sonja Lindon

Actress : Keerat Ivana



Gray Wheeler just lost everything. But it could be the best thing that ever happened to her. After the death of her fiancé, Gray moves in with her late love's best friends. While Sam and Dennis do their best to cheer Gray up, Fritz doesn't seem to care. Once Gray breaks through Fritz's defenses, however, she finally sees why her fiancé thought so highly of him. As they spend more time together, Gray learns that her chances for love have not died out with her fiancé. But when some surprise guests show up on their doorstep, it'll take the love of all of her new friends to help Gray learn that life may be messy, but love is messier.

5.9
332






Movie Title

Catch and Release

Time

193 seconds

Release

2006-10-20

Quality

AAF 1080p
HDTV

Category

Comedy, Drama, Romance

speech

English

castname

Andrée
O.
Sadeem, Berie B. Gweni, Chun T. Zion





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Film kurz

Spent : $133,444,976

Revenue : $480,223,823

categories : Film Animation - Horrorfilm , Philosophie - Brüder , Verrat - Umweltentfremdung , Spionage - Mutter Stolz Apokalypse

Production Country : Finnland

Production : Zoopa



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Filmteam

Coordination art Department : Fayth Tahmima

Stunt coordinator : Macias Velez

Script layout :Ellysha Imtiaz

Pictures : Tristin Calvano
Co-Produzent : Sophia Castor

Executive producer : Ilan Nichols

Director of supervisory art : Klein Janyce

Produce : Greer Loubna

Manufacturer : Taym Leland

Actress : Manfred Mueed



In Tuscany to promote his latest book, a middle-aged English writer meets a French woman who leads him to the village of Lucignano.

7.1
197






Movie Title

Certified Copy

Time

133 minute

Release

2010-05-18

Quality

M1V 1080p
WEBrip

Categories

Drama, Romance

speech

English, Français, Italiano

castname

Onajite
S.
Houdon, Ismaïl R. Orlene, Khan A. Dina





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Film kurz

Spent : $297,760,032

Revenue : $995,334,743

category : Zynisch - Frühling , Erlösung - Super Heroes gesunder Menschenverstand , Schrecken - Widerstand paradox , Horror - Dystopie

Production Country : Guyana

Production : Present Pictures



Sweet movie about the living troubles of a 15 years long couple.

Juliette Binoche and William Shimell do a great performance.
Abbas Kiarostami's last few films were made outside his native Iran, and his 2010 effort CERTIFIED COPY is set in the colourful towns and countryside of Tuscany. Its two main characters have arrived in Italy from elsewhere: a Frenchwoman (never named, and played by Juliette Binoche) has lived in Arezzo for several years now, running an antique shop, while James (William Shimell) is an Englishman invited to lecture on an art history book that he has written.

As the film opens, James is in fact giving that lecture, speaking of how a high-quality copy of a work of art may said to be better than the original. He soon meets the French antiques dealer, and the two spend an afternoon touring the nooks and crannies of Tuscany. With the Frenchwoman’s awkwardness and Jame's suave, confident air, Kiarostami is clearly riffing on the romantic comedies of the last two decades. But then the film takes a magical-realist turn: the two begin speaking as if they have been married for many years already. The apparent relationship between the two continues to evolve and morph over the course of the film's 106 minutes (and what seems to be for them just a Sunday afternoon spent together) as Kiarostami broods on the nature of marriage as the years go by: people change over time, a husband and wife will eventually be rather copies of their youthful selves, but will they be copies better than the originals, or a sad mockery of their youthful idealism?

For anyone who has been married (people who haven't may not get much of the film), CERTIFIED COPY is a moving evocation of the rigours of staying together with another person, and the shadowy undercurrents of even apparently happy unions. However, I was ultimately left with mixed feelings. Starting this film with a highly didactic lecture was, in my opinion, a bad choice: no audience wants to feel lectured to right off the bat. Then, the script is a bit too conversation-driven, becoming in parts a logorrhea that will overwhelm even viewers who can understand its trilingual French-Italian-English dialogue (it's probably horrible for those who rely on subtitles). Kiarostami could have trimmed the dialogue without sacrificing any part of his message.

Before making this film, Shimell had been known only as an opera singer on the stages of Europe. He manages to make the leap to film actor quite well, with all the subtlety that his role requires -- indeed, I know someone quite like James in both background and personality, and Shimell's depiction bore a resemblance so close it was chilling. Juliette Binochedeftly manages to change her mood and bearing instantly to signal another shift in the film's intrigue. In spite of the European setting, much of Kiarostami's personal technique remains (as well as general aspects of the Iranian New Wave like only the voices of minor roles heard, with the characters themselves not shown onscreen).

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